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Schedule
Units: Foundations / Issues and Tactics / Practicum
Foundations
January 17: Introduction
Welcome and introductory slide lecture; questionnaire
Introductory lecture posted here
January 19: Modernism and Modernity
Required reading: Berman (introduction and section 2)
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January 24: Modernism and Modernity
Required reading: Harvey (chapter 2)
Advanced reading: Oguibe
Due: Reading Response #1
January 26: Artistic Interventions
Required reading: Marcus (Art of Yesterday's Crash & Lipstick Traces)
Advanced Reading: Thompson
Lecture 2: Dada and Situationism posted here
Required Lecture: 5 PM, Lawson 101
Nato Thompson, Assistant Curator, Massachusetts Museum of Contemporary
Art
January 31
NO READING DUE
DUE: Psychogeographic Map drawings/media pieces based on in-class walk
last Thursday
Discuss Nato Thompson's talk.
February 2
DUE: Sturken and Cartright reading
Advanced Reading: Jameson
Lecture 3: Postmodern Art & Theory posted here
Creative Notebook exercise: modern vs. postmodern collages
February 7
DUE: Harvey, chapter 3
Advanced Reading: Fraser & Nicholson
February 9
DUE: Reading Response No. 2; bring in one piece of intermedia art to
discuss
In-class exercises: Interpretive Strategies
Optional Reading: Tonkiss, Rose, Barthes
Assign Paper
Issues and Tactics
February 14: Representation
Spotlight Artist: Emily Jacir lecture posted here
Required reading: hooks, Berger, Demos
Advanced reading: Tagg
Due: Paper topics
February 16: Artist Visit: Praba Pilar, media and performance artist
Required Lecture: 5 PM, Lawson 101, Praba Pilar, media and performance
artist
Required reading: Pilar
February 21: Commodity Culture
Spotlight Artist: William Pope L. lecture posted here
Required reading: Benjamin (The Work of Art...)
Advanced reading: Horkheimer & Adorno
February 23: Detournement
Spotlight Artist: various, (r)(tm)ark
Required reading: Debord
Advanced reading: Kipnis
February 28: Enactment
Spotlight Artist: Kryzsztof Wodiczko lecture posted here
Required reading: Kaprow, Wodiczko
March 2: Paper Presentations
DUE: Papers
March 7: Artist Visit: Trevor Paglen, cultural geographer and interdisciplinary
artist
Required reading: Benjamin (The Artist as Producer), Paglen
March 9
No Class: Professor Kanouse at AAG Conference
Due: Reading Response #3
March 14 & 16
Enjoy Spring Break!
Practicum
March 21
Half page description of the proposed activity due; equipment
demonstrations and policies
March 23
Feedback on project ideas from professor and other students;
begin art-life experiments
March 28
Flex day, could be spent in discussion, tutorials, videos,
workday, etc.
March 30
1/2-1 page presentation strategy proposal due and workshopped
in class
April 4
In-class workday
April 6: Critique
April 11-27: Project 2
May 2: in-class workday/skill-sharing
DUE: Creative Notebooks
May 4: in-class workday/skill-sharing or in-progress critique
Final Critique: Wednesday, May 10, 12:50-2:50 pm
Project 2 due
